https://carolinamagnin.com Carolina Magnin Thu, 20 Nov 2025 20:53:10 +0000 https://carolinamagnin.com en https://carolinamagnin.com/Home Fri, 14 Apr 2023 01:00:10 +0000 Carolina Magnin https://carolinamagnin.com/Home https://carolinamagnin.com/Salvatico Thu, 20 Nov 2025 20:53:10 +0000 Carolina Magnin https://carolinamagnin.com/Salvatico <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/9b6fc3ff5bf3e3a053f6ef5d981235575e49cefb9b9b8ff992e82676eecea2a1/sala-BAJA-8630.jpg" data-mid="240899588" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/9b6fc3ff5bf3e3a053f6ef5d981235575e49cefb9b9b8ff992e82676eecea2a1/sala-BAJA-8630.jpg" /> <img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/985fe684a6db96bb3ab2b260147aaf043bbf4b8df24d597a53c427369a7f294e/sala-BAJA-8635.jpg" data-mid="240899589" border="0" 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data-src="https://freight.cargo.site/t/original/i/7d6372d8462504a00523f11a4a95b140660ece413eda064f4edefcf5b79f35a3/obras-BAJA-8887.jpg" data-mid="240899617" border="0" src="https://freight.cargo.site/w/1000/i/7d6372d8462504a00523f11a4a95b140660ece413eda064f4edefcf5b79f35a3/obras-BAJA-8887.jpg" /> <img width="2001" height="3000" width_o="2001" height_o="3000" data-src="https://freight.cargo.site/t/original/i/b0cb5ab0873c665f28c48d2397a1123375dc71a8ef071af5825a1c1a09c61cc5/obras-BAJA-8881.jpg" data-mid="240899613" border="0" src="https://freight.cargo.site/w/1000/i/b0cb5ab0873c665f28c48d2397a1123375dc71a8ef071af5825a1c1a09c61cc5/obras-BAJA-8881.jpg" /> <img width="2001" height="3000" width_o="2001" height_o="3000" data-src="https://freight.cargo.site/t/original/i/c3720f52e643938add4382058101d82f0877502025a30adea2d204fd7fb77c7d/obras-BAJA-8882.jpg" data-mid="240899614" border="0" 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&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; Salvático, 2025, Edificio Sudamérica. https://carolinamagnin.com/Bajo-Observasion Fri, 14 Apr 2023 01:00:11 +0000 Carolina Magnin https://carolinamagnin.com/Bajo-Observasion Bajo observación2023 Cortometraje <img width="2000" height="1270" width_o="2000" height_o="1270" data-src="https://freight.cargo.site/t/original/i/b1b21722d47c5173913a9300f985896986ddebf32a0d27d2145bcb6f8fac755a/magnin420.jpg" data-mid="175313165" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/b1b21722d47c5173913a9300f985896986ddebf32a0d27d2145bcb6f8fac755a/magnin420.jpg" /> <img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/446ea932b58cfa9f479e6eaecdad8e58aef5a42a5bba5536683608b536cb55bc/magnin423_-16_9baja.jpg" data-mid="175313166" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/446ea932b58cfa9f479e6eaecdad8e58aef5a42a5bba5536683608b536cb55bc/magnin423_-16_9baja.jpg" /> <img width="2000" height="1327" width_o="2000" height_o="1327" data-src="https://freight.cargo.site/t/original/i/e14e20bd6a09a49d74d432334f1734fdc79d2368e04b64f10364a8fe6354c7bc/magnin741.jpg" data-mid="175313167" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/e14e20bd6a09a49d74d432334f1734fdc79d2368e04b64f10364a8fe6354c7bc/magnin741.jpg" /> <img width="1561" height="2000" width_o="1561" height_o="2000" data-src="https://freight.cargo.site/t/original/i/355850123d28b1acc1a37af1f86d5b36dd199c232684926e7e35cb389b418ce2/poster-corto.jpg" data-mid="175313168" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/355850123d28b1acc1a37af1f86d5b36dd199c232684926e7e35cb389b418ce2/poster-corto.jpg" /> Un conjunto de rollos abandonados en un placard. Este material fotográfico perteneció a un perito forense. Mientras utiliza la cámara en su tiempo libre para evadirse y relajarse, su pasión por la categorización y los patrones de comportamiento se manifiesta tanto en su vida personal como profesional. Este cortometraje explora la idea de impermanencia y las limitaciones de nuestra existencia. Discovered by chance in a forgotten closet, a set of 35mm rolls lay abandoned for decades. Once a forensic expert's photographic material, these photos now offer a glimpse into his world. As he uses his camera in his free time to escape and relax, his passion for categorization and behavioral patterns manifests in both his personal and professional life as a forensic researcher. This short film explores the idea of impermanence and the limitations of our existence. https://carolinamagnin.com/Normal Fri, 14 Apr 2023 01:00:11 +0000 Carolina Magnin https://carolinamagnin.com/Normal Normal2022 MMgallery <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/9827bce2b50db583d1ae60798c7eff25b675f78a1a3b262aa4ce7207a5675410/DSC01554.JPG" data-mid="175313169" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/9827bce2b50db583d1ae60798c7eff25b675f78a1a3b262aa4ce7207a5675410/DSC01554.JPG" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ffa09b1eb51402caf09eee10cf6f4f6e05aa16ae61b01dbd1d4c402a3c28e617/DSC01577.JPG" data-mid="175313170" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/ffa09b1eb51402caf09eee10cf6f4f6e05aa16ae61b01dbd1d4c402a3c28e617/DSC01577.JPG" /> <img width="1414" height="2000" width_o="1414" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b31520639a78be678dcc4c7d12c3a6082c65128a2e879b226c600ca06700f65d/DSC01580c.jpg" data-mid="175313171" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/b31520639a78be678dcc4c7d12c3a6082c65128a2e879b226c600ca06700f65d/DSC01580c.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/2dad602147b5636eaea2b5b9aaf67a6c0af8f9ad96aec589fdfb1fb99750de85/DSC01457.JPG" data-mid="175313172" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/2dad602147b5636eaea2b5b9aaf67a6c0af8f9ad96aec589fdfb1fb99750de85/DSC01457.JPG" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/cecae69dfb3b1afdf72e4d2ef3cc8d8b901af2015b93fddcb5db1958dd7c7ba4/DSC01633.JPG" data-mid="175313173" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/cecae69dfb3b1afdf72e4d2ef3cc8d8b901af2015b93fddcb5db1958dd7c7ba4/DSC01633.JPG" /> <img width="2000" height="1314" width_o="2000" height_o="1314" data-src="https://freight.cargo.site/t/original/i/0c3b78825fcb1ea300c359e18c2fc5d89845952b33c95d0c9d1ce76d594b45cf/IMG_2940.jpg" data-mid="175313174" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/0c3b78825fcb1ea300c359e18c2fc5d89845952b33c95d0c9d1ce76d594b45cf/IMG_2940.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/7d49ea3292efc77887464dc83865da66858c706fbb66d26dd07ec63c40df1ffd/DSC01469.JPG" data-mid="175313175" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/7d49ea3292efc77887464dc83865da66858c706fbb66d26dd07ec63c40df1ffd/DSC01469.JPG" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/f26d5959d9d5844033c4c2fb561a73d2eef48f39865d747bc23c922b766b9f32/IMG_3185.JPG" data-mid="175313176" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/f26d5959d9d5844033c4c2fb561a73d2eef48f39865d747bc23c922b766b9f32/IMG_3185.JPG" /> <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/03c0460da2146148252c0e12e81570dc47cb4a03348b015789f125beb6852c9c/IMG_2973-2.jpg" data-mid="175313177" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/03c0460da2146148252c0e12e81570dc47cb4a03348b015789f125beb6852c9c/IMG_2973-2.jpg" /> realización video / Sebastian Cappiello Normal El cuerpo humano, como un organismo compuesto mayormente por agua, es un sistema hidráulico. Una serie de mecanismos precisos y complejos regulan los fluidos de nuestro interior. Hay órganos que son válvulas y otros cámaras; algunos están ahí para absorber, bombear y purificar, y otros más para drenar, secretar, lagrimear y desechar. En este equilibrio frágil y dinámico, para una mirada médica, la aparición de la falla o de un desvío —la enfermedad— demanda una intervención. Con el fin de restituir la salud y el bienestar, aliviar el dolor o aplicar un tratamiento, los cuerpos se conectan a una red de mangueras, conductos, catéteres y agujas que suministran medicamentos, sueros y líquidos para mejorar su condición mortal. Cerca de la zona de hospitales del barrio de Almagro, suspendidas en el umbral simbólico de lo vivo y lo inerte, fotografías de mujeres penden conectadas de dispositivos de goteo. Una composición sonora binaural acompaña su presencia. Las vibraciones, semejantes a zumbidos industriales, se expanden por el espacio y lo proclaman territorio de temblores, en donde la única palabra que se sostiene es el azar. El líquido que se les suministra a las fotografías es tinta negra, como la de las oficinas, hospitales, escuelas y otras instituciones, la cual corre, se escurre y se deja absorber por el papel en el que están impresas y que las constituye. Por las corvas de rodilla, la cintura y los brazos, se infiltra y las altera. Aquellos atisbos de intimidades descontextualizadas se oscurecen y se hinchan de un fluido que no es el propio, pero que engrosa su materia y a la vez la vuelve frágil. Estos cuerpos que fueron de carne y ahora son superficie de imagen desafían su existencia para exponerse verticales y flotantes. Abiertos a la intervención dinámica y agresiva, no pierden la atención frente a los cambios que estos sistemas maquínicos causan, absorbiendo la tinta para retraerla como el vaivén de las olas y revelando lo que yace en esa orilla de contacto, en ese roce lubricante. Esta tecnología simple, sujeta a las leyes de la física, revela una imagen cyborg, instantánea y perenne, siempre en proceso. Motivada por la intuición, el cuidado y la memoria, Carolina Magnin recupera imágenes de un archivo médico para intervenirlas e insertarlas en rutas de circulación donde la utilidad queda eclipsada por un fin sensible. A estas pacientes las sitúa en una fuga de sentido lejos del dominio tecnocientífico hasta convertirlas en agentes desobedientes y escurridizas del lugar asignado por la mirada clínica y su registro. Dejan de ser síntomas y retornan a ser cuerpos dinámicos, aleatorios y deseantes. Una vida nueva las infunde, palpita y reacciona. La tinta negra que alguna vez las ató a trámites, documentos, pagos y evaluaciones, ahora se derrama y encharca el suelo. Sin la asepsia del hospital y sin el rígido orden del archivo, estas imágenes y sus nuevas máquinas —máquinas de dibujo y de huellas— se desvían y proponen juegos de persecución. Por más que tratemos de fijarlas, se escapan. Y cuando pensamos que hay una imagen completa, esta evade la sujeción para construir constantemente la distancia del deseo. Como fantasmas, se dejan ocultar para después volver a aparecer. Tania Puente Normal The human body, as an organism composed mostly of water, is a hydraulic system. A series of precise and complex mechanisms regulate the fluids inside us. Some organs are valves and others chambers; some are there to absorb, pump and purify, while others are there to drain, secrete, tear and discard. In this fragile and dynamic balance, from a medical point of view, the appearance of failure or a deviation - disease - calls for intervention. In order to restore health and well-being, alleviate pain or apply treatment, bodies are connected to a network of hoses, conduits, catheters and needles that deliver drugs, serums and fluids to improve their mortal condition. Near the hospital area of the Almagro neighborhood, suspended on the symbolic threshold of the living and the inert, photographs of women hang connected to drip devices. A binaural sound composition accompanies their presence. The vibrations, similar to industrial hums, expand through the space and proclaim it a territory of tremors, where the only word that holds is chance. The liquid supplied to the photographs is black ink, like that of offices, hospitals, schools and other institutions, which runs, drips and is absorbed by the paper on which they are printed and which constitutes them. Through the knees, waist and arms, it infiltrates and alters them. Those glimpses of decontextualized intimacies darken and swell with a fluid that is not their own, but that thickens their matter and at the same time makes it fragile. These bodies that were once flesh and are now image surfaces defy their existence to expose themselves as vertical and floating. Open to dynamic and aggressive intervention, they do not lose their attention to the changes that these machinic systems cause, absorbing the ink to retract it like the swaying of the waves and revealing what lies on that shore of contact, in that lubricating friction. This simple technology, subject to the laws of physics, reveals a cyborg image, instantaneous and perennial, always in process. Motivated by intuition, care and memory, Carolina Magnin recovers images from a medical archive to intervene and insert them into circulation routes where utility is eclipsed by a sensitive end. She places these patients in a flight of meaning far from the techno-scientific domain until they become disobedient and elusive agents of the place assigned by the clinical gaze and its registration. They cease to be symptoms and return to being dynamic, random and desiring bodies. A new life infuses them, palpitates and reacts. The black ink that once bound them to paperwork, documents, payments and evaluations, now spills and puddles the floor. Without the asepsis of the hospital and without the rigid order of the archive, these images and their new machines - drawing and tracing machines - stray and propose games of persecution. No matter how hard we try to fix them, they escape. And when we think there is a complete image, it evades subjection to constantly construct the distance of desire. Like ghosts, they allow themselves to be hidden and then reappear. The classroom where the class is being taught is almost dark, except for the focused light of the slide projector. The students, seated in silence, are concentrating on the day's lesson on skin lesions. Click. An image of a back, with an outbreak of pustules on the lower left side, appears at the front of the room. Clack. A pair of legs, whose capillaries weave an inflamed and painful network of dilatations under the skin. Clack. A cutout to a clavicle with a whitish irritation. On the right side of the photograph, a firm but cautious, neatly manicured finger reaches down the collar of the woman's gown to her shoulder to uncover the abnormality. Although in the image the outbreak is barely distinguishable, it is there. "It's nothing," was the first thing she said to herself as she detected that milky bump on her skin that morning when she looked in the mirror. But the symptoms began to manifest themselves over the next few days. She felt a kind of burning sensation when she touched the area, and she could not tolerate the sensation of rubbing, either from others or from herself, including clothing. When she went to the clinic twelve days after her discovery, the attending physician, who also worked as a lecturer at the university hospital, asked her permission to photograph her. Click. Mounted on a tripod, the camera captured the symptom of her skin, that prominent and annoying manifestation that distressed her, as well as the revealing finger that uncovered them. A piece of her would go with that image, bound to spin incessantly on the slide carousel and manifest itself as light and shadows in front of hundreds of gazes, year after year. She, anonymous, faceless and without sensations, would be exemplary, didactic material that would merge with an archive of other skins, and her wordless sufferings, until the wear and tear of the slide and the weight of oblivion erased her. Tania Puente https://carolinamagnin.com/Figura-13-4 Fri, 14 Apr 2023 01:00:12 +0000 Carolina Magnin https://carolinamagnin.com/Figura-13-4 Figura 13-42022 Lo múltiple y lo único <img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0b6ad8729aa7350ae421a8c0334c9b9b2aeeedac492fec60018c494c35424e08/Figura-13-4-a.jpeg" data-mid="175313178" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/0b6ad8729aa7350ae421a8c0334c9b9b2aeeedac492fec60018c494c35424e08/Figura-13-4-a.jpeg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/968bac7eef69ba9e5bc279a4f44ee4a83a2f32662d88a3d8e6c9652762e37e06/Figura-13-4-b.jpeg" data-mid="175313179" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/968bac7eef69ba9e5bc279a4f44ee4a83a2f32662d88a3d8e6c9652762e37e06/Figura-13-4-b.jpeg" /> La situación de aislamiento y la falta de contacto físico con otras personas durante el año 2020 incidieron profundamente en la percepción del espacio, del tiempo y del cuerpo.Dentro de este contexto surge la pieza Figura 13-4.Formalmente está conformada por cajas contenedoras de diapositivas vacías y algunas diapositivas aisladas. Estas cajas que en algún momento guardaron recuerdos de diferentes personas y se utilizaron para proyectar fotografías (los magazines se colocaban directamente en el proyector para ver las imágenes), ahora conforman una capa de desmemoria que avanza sobre el espacio donde esté emplazada. Es un tejido del olvido que se multiplica y ocluye el lugar sobre el que se posa otorgándole una nueva corporeidad a su entorno.Imágenes de cortes frontales del cerebro con enfermedades neurodegenerativas, dibujos del científico Santiago Ramón y Cajal sobre las sinapsis neuronales en la transmisión de memoria y un libro sobre líquenes fueron fuentes que completaron tanto conceptual como morfológicamente el proceso de creación de la obra. Figura 13-4 es una instalación de contenedores de memorias que se expande como una patología sobre las superficies y materializa la abstracción orgánica y el vaciamiento provocado por el contexto. The situation of isolation and the lack of physical contact with other people during the year 2020 had a profound impact on the perception of space, time, and the body. Within this context, the piece Figura 13-4 emerges. Formally, it is composed of boxes containing empty slides and some isolated slides. These boxes, which at some point held memories of different people and were used to project photographs (the magazines were placed directly into the projector to view the images), now form a layer of oblivion that advances over the space where it is located. It is a tissue of forgetfulness that multiplies and occludes the place on which it rests, giving a new corporeality to its surroundings. Images of frontal brain sections with neurodegenerative diseases, drawings by scientist Santiago Ramón y Cajal on neural synapses in memory transmission, and a book on lichens were sources that completed both conceptually and morphologically the process of creating the work. Figura 13-4 is an installation of memory containers that expands like a pathology over surfaces, materializing the organic abstraction and emptying caused by the context. https://carolinamagnin.com/Caso-nro-13 Fri, 14 Apr 2023 01:00:13 +0000 Carolina Magnin https://carolinamagnin.com/Caso-nro-13 Caso nro 132019 Salón Nacional de Artes Visuales / Primer Premio Casa del Bicentenario <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c1a5c888df4a66b59eb15b3c91fe5d62dbaaf8ba409a9a68634623e243e21172/IMG_1172.jpg" data-mid="175313183" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/c1a5c888df4a66b59eb15b3c91fe5d62dbaaf8ba409a9a68634623e243e21172/IMG_1172.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/cd93901e1a3cd7b8c239facaf56571fdb17ecb79932967d635902f23dee4f5a7/IMG_1177.jpg" data-mid="175313184" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/cd93901e1a3cd7b8c239facaf56571fdb17ecb79932967d635902f23dee4f5a7/IMG_1177.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/a1ff41805c87b17b82b7a363a9c360e7a2ffccc1272254fe5cbdd96dd91799d7/IMG_1153.jpg" data-mid="175313185" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/a1ff41805c87b17b82b7a363a9c360e7a2ffccc1272254fe5cbdd96dd91799d7/IMG_1153.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/65e92c3cc798aff965f89f5960cddb52782a7d7d7c6505e3c2457c009d6089f0/IMG_1160.jpg" data-mid="175313186" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/65e92c3cc798aff965f89f5960cddb52782a7d7d7c6505e3c2457c009d6089f0/IMG_1160.jpg" /> <img width="2000" height="1238" width_o="2000" height_o="1238" data-src="https://freight.cargo.site/t/original/i/b678d122201047e34feed38dc085b8e6da63ac52a76e3b6c995c898fe002b52c/IMG_1187.jpg" data-mid="175313187" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/b678d122201047e34feed38dc085b8e6da63ac52a76e3b6c995c898fe002b52c/IMG_1187.jpg" /> Caso No 13 es un trabajo que surge a partir de la idea de la imposibilidad de permanencia de los recuerdos y de su característica de mutación. Haciendo un cruce con la modalidad de conservación científica de los elementos biológicos en los laboratorios, planteo una obra que consiste en una mesa metálica con frascos conteniendo imágenes de archivos personales sumergidas en diferentes diluciones de líquido fijador de laboratorio fotográfico. Las diapositivas se van desintegrando gradualmente y a destiempo. Caso No 13 obtuvo el Primer Premio de Fotografía en el Salón Nacional de Artes Visuales 2019. Caso No 13 is a work that arises from the idea of the impossibility of the permanence of memories and their characteristic of mutation. By crossing it with the scientific conservation modality of biological elements in laboratories, I propose a work that consists of a metal table with jars containing images from personal archives submerged in different dilutions of photographic laboratory fixing liquid. The slides gradually disintegrate and at different times. Caso No 13 won the First Prize in Photography at the National Salon of Visual Arts 2019. https://carolinamagnin.com/De-visu Fri, 14 Apr 2023 01:00:13 +0000 Carolina Magnin https://carolinamagnin.com/De-visu De visu2018 Museo Sívori <img width="2000" height="1353" width_o="2000" height_o="1353" data-src="https://freight.cargo.site/t/original/i/afdaff56b0637d53edcea50be656239a885b619a3f75b800fa4a06627ad6aed6/magnin_-de-visu_-2000.jpg" data-mid="175313188" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/afdaff56b0637d53edcea50be656239a885b619a3f75b800fa4a06627ad6aed6/magnin_-de-visu_-2000.jpg" /> <img width="2000" height="1284" width_o="2000" height_o="1284" data-src="https://freight.cargo.site/t/original/i/5a957a192c746f375c24c3d1c99a5d066bdc91ef9114ee39294f33b948cd8730/devisu-2000_a.jpg" data-mid="175313190" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/5a957a192c746f375c24c3d1c99a5d066bdc91ef9114ee39294f33b948cd8730/devisu-2000_a.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/bdea958bbcc3d93ac460fd3b8ee03598cf45a7357821f35759457a3648fb84b9/devisu-2000.jpg" data-mid="175313189" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/bdea958bbcc3d93ac460fd3b8ee03598cf45a7357821f35759457a3648fb84b9/devisu-2000.jpg" /> De visu es una instalación conformada por vidrios de medidas variables impresos con imágenes de retratos de archivos fotográficos de diapositivas médicas de mi padre. El término de visu significa “con los propios ojos” o “visto directamente”. Es un término utilizado en medicina en relación a las patologías que pueden ser observadas a simple vista y también es un término que se utiliza legalmente en relación a los testigos que presenciaron un hecho personalmente. El proyecto De visu hace foco en la manera que la fotografía científica intercede en la imagen de la persona objetivándola y generando retratos donde la mirada es nula o está vacía. La pieza plantea un lugar donde la idea de la ausencia y de la omnipresencia conviven, en relación al estado de fragilidad del individuo, de lo visible y lo no visible así como del condicionamiento total sobre el devenir. También como parte de la investigación realicé un relevamiento fotográfico en el laboratorio de neurociencia de la facultad de Bioquímica de la Universidad de Buenos Aires y en el museo de Patología de la misma facultad. Con el apoyo del FONDO NACIONAL DE LAS ARTES De visu is an installation consisting of variable sized glass printed with portrait images from photographic archives of my father's medical slides. The term visu means "with one's own eyes" or "seen directly". It is a term used in medicine in relation to pathologies that can be observed at first sight and it is also a term that is legally used in relation to witnesses who witnessed a fact personally. The De visu project focuses on the way in which scientific photography intercedes the image of the person by objectifying it and generating portraits where the gaze is null or empty. The piece proposes a place where the idea of absence and omnipresence coexist, in relation to the state of fragility of the individual, of the visible and the non-visible as well as of the total conditioning on the future. Also as part of the research I carried out a photographic survey of the neuroscience laboratory in the Biochemistry Faculty of the University of Buenos Aires as well as of the Pathology Museum of the same faculty. With the support of the FONDO NACIONAL DE LAS ARTES https://carolinamagnin.com/Reazione-Nera Fri, 14 Apr 2023 01:00:14 +0000 Carolina Magnin https://carolinamagnin.com/Reazione-Nera Reazione Nera2018 Centro Cultural San Martin <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/490b785cdd2e66d80a5e7e1309af50b7c01259a393ecbbcf6c1d595617e90838/IMG_0871.jpg" data-mid="175313195" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/490b785cdd2e66d80a5e7e1309af50b7c01259a393ecbbcf6c1d595617e90838/IMG_0871.jpg" /> <img width="2000" height="1254" width_o="2000" height_o="1254" data-src="https://freight.cargo.site/t/original/i/5fbcb91819beb8df659f89c4f664e05fffe26c80c850974d94fbf0d664938e9f/IMG_0868w.jpg" data-mid="175313196" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/5fbcb91819beb8df659f89c4f664e05fffe26c80c850974d94fbf0d664938e9f/IMG_0868w.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/8641295c5269227720719f106055667ec687a5f7211d3f1f3465efe9d36ed04e/IMG_0882w.jpg" data-mid="175313197" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/8641295c5269227720719f106055667ec687a5f7211d3f1f3465efe9d36ed04e/IMG_0882w.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/e28752a578fffc3cd13794590de18631707f6cf139a65e2d088b5f51042774dc/IMG_0889w.jpg" data-mid="175313198" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/e28752a578fffc3cd13794590de18631707f6cf139a65e2d088b5f51042774dc/IMG_0889w.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/672a1b844e62572517a9b313703cf640e6f03ed04e17c4f0012911403ba18ce4/IMG_0867w.jpg" data-mid="175313199" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/672a1b844e62572517a9b313703cf640e6f03ed04e17c4f0012911403ba18ce4/IMG_0867w.jpg" /> <img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/495fe5ccff4ae9316ccd9f58a4162e3a110bd3f9189eb14df40d21d4e5511dc6/IMG_0877w.jpg" data-mid="175313200" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/495fe5ccff4ae9316ccd9f58a4162e3a110bd3f9189eb14df40d21d4e5511dc6/IMG_0877w.jpg" /> Archivo MDC/PZF Camilo Golgi pudo distinguir, a principios del siglo XX, una tintura negra que permitía identificar las neuronas y su interacción, la Reazione nera. Carolina Magnin retoma el título del experimento para colocar una selección de diapositivas de archivos familiares, científicos y de museos arqueológicos en frascos de laboratorio bio-químico, donde ahora flotan en líquido fijador, el mismo que marcó el comienzo de la fotografía cuando se empezó a emplear en el cuarto oscuro para que la imagen pudiera perdurar en el tiempo. En este caso, las diapositivas, reveladas hace años, vueltas a exponer a la acción del fijador, acumulan partículas salinas que se adhieren a su superficie y, poco a poco, la destruyen. El trabajo de Magnin observa la persistencia de las imágenes-no la conservación-, su forma de resistir ante lo incontrolable: inmersiones excesivas, lluvias, exposiciones demasiado prolongadas a luces, líquidos, vientos. Reazione nera reúne lo que, en la imaginación, sería el laboratorio científico y el fotográfico. La experimentación controlada choca con el desborde de la fantasía, la tintura negra se expande desde las neuronas hacia las paredes. El recorrido atraviesa transparencias y proyecciones, huellas de un pasado que, siendo inalterable, se modifica ante el paso del tiempo. Mientras tanto, el experimento de Magnin insiste en retornar sobre las mismas imágenes como dando vueltas alrededor de un solo centro, en forma de ronda o de espiral, sin volver jamás sobre las mismas pisadas. Gabriela Schevach Archivo MDC/PZF Camilo Golgi was able to distinguish, at the beginning of the 20th century, a black tincture that made it possible to identify neurons and their interaction, the Reazione nera. Carolina Magnin takes up the title of the experiment to place a selection of slides from family archives, scientists and archaeological museums in bio-chemical laboratory jars, where they now float in fixed liquid, the same that marked the beginning of photography when it began to be used in the darkroom so that the image could last over time. In this case, the slides, developed years ago, again exposed to the action of the fixator, accumulate saline particles that adhere to its surface and, little by little, destroy it. Magnin's work observes the persistence of the images -not conservation-, their way of resisting the uncontrollable: excessive immersions, rains, too prolonged exposure to lights, liquids, winds. Reazione nera brings together what, in the imagination, would be the scientific and photographic laboratory. Controlled experimentation collides with the overflow of fantasy, black tincture expands from neurons to walls. The route crosses transparencies and projections, traces of a past that, while unalterable, changes with the passage of time. Meanwhile, Magnin's experiment insists on returning to the same images as if circling around a single centre, in the form of a round or spiral, without ever returning to the same footsteps. Gabriela Schevach https://carolinamagnin.com/C03_Retiro11-_-Av-A-Argentina-1355 Fri, 14 Apr 2023 01:00:15 +0000 Carolina Magnin https://carolinamagnin.com/C03_Retiro11-_-Av-A-Argentina-1355 C03_Retiro11 _ Av. A. Argentina 13552017 Premio Braque MUNTREF Centro de Arte Contemporáneo _ Sede Hotel de Inmigrantes <img width="2000" height="1403" width_o="2000" height_o="1403" data-src="https://freight.cargo.site/t/original/i/e7fc9111a264bea2375ea545f1c138cee0ae304223ce623215a2e39bd3ec1436/IMG_9071c.jpg" data-mid="175313201" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/e7fc9111a264bea2375ea545f1c138cee0ae304223ce623215a2e39bd3ec1436/IMG_9071c.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/688328af432dcdf51df7d42b54c88221ffe7f734a3775fe740f30e8a703e2926/IMG_9094.jpg" data-mid="175313202" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/688328af432dcdf51df7d42b54c88221ffe7f734a3775fe740f30e8a703e2926/IMG_9094.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d2ca409b5b185a4662c3675d48a38de217fea7b72ee6e8350eecf00ecb22ab3a/IMG_9103c.jpg" data-mid="175313203" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/d2ca409b5b185a4662c3675d48a38de217fea7b72ee6e8350eecf00ecb22ab3a/IMG_9103c.jpg" /> <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c2543027bbf8d2903f069179586db50dbcebe4b83f960747af32c273a6306d76/IMG_9079.jpg" data-mid="175313204" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/c2543027bbf8d2903f069179586db50dbcebe4b83f960747af32c273a6306d76/IMG_9079.jpg" /> La obra C03_Retiro11_ Av. A. Argentina 1355&nbsp; es una cita a las características edilicias del Hotel de Inmigrantes y a la manera frágil y violenta de los sistemas de defensa en muros de Argentina. Me interesó trabajar con archivos de aquellos que pasaron por el Hotel y con la carga intrínseca, presente e inevitable que tiene este edificio.&nbsp; El proceso migratorio lleva consigo un quiebre con el pasado y a su vez añoranza del mismo. Es en esta dualidad como en la dilución y reformulación de la identidad, que la migración rezuma violencia. En una sociedad donde la disciplina y la vigilancia encubierta rigen el paradigma, la obra espontáneamente se resignifica. Esta situación me induce a experimentar la imposibilidad, que plantea Thomas Mann, de distinguir entre el “todavía” y el “otra vez”. The work C03_Retiro11_ Av. A. Argentina 1355 is a quotation of the building characteristics of the Immigrants Hotel and the fragile and violent way of the defense systems in the walls of Argentina. I was interested in working with the archives of those who passed through the Hotel and with the intrinsic, present and inevitable load that this building has. The migratory process brings with it a break with the past and at the same time a longing for it. It is in this duality as in the dilution and reformulation of identity that migration oozes violence. In a society where discipline and covert surveillance rule the paradigm, the work is spontaneously resignified. This situation induces me to experience the impossibility, raised by Thomas Mann, of distinguishing between the "still" and the "again". https://carolinamagnin.com/Narbe Fri, 14 Apr 2023 01:00:15 +0000 Carolina Magnin https://carolinamagnin.com/Narbe Narbe <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/db6374bbd7d59420cbb99b64965e0b6bc4d41dbee2c6cf0d8331e875505fb7f4/DSC07903f.jpg" data-mid="175313205" border="0" alt="2016 | Nachtspeicher - Hamburgo" data-caption="2016 | Nachtspeicher - Hamburgo" src="https://freight.cargo.site/w/1000/i/db6374bbd7d59420cbb99b64965e0b6bc4d41dbee2c6cf0d8331e875505fb7f4/DSC07903f.jpg" /> <img width="2835" height="1890" width_o="2835" height_o="1890" data-src="https://freight.cargo.site/t/original/i/76fbcf5414e1cbde5ca21b4da8b5aeef23a5221facc62339b81790a3439a0add/Narbe_-Conti_-Bienal-Sur_-magnin1.jpg" data-mid="175313206" border="0" alt="2017 | Bienal Sur" data-caption="2017 | Bienal Sur" src="https://freight.cargo.site/w/1000/i/76fbcf5414e1cbde5ca21b4da8b5aeef23a5221facc62339b81790a3439a0add/Narbe_-Conti_-Bienal-Sur_-magnin1.jpg" />